Bhubaneswar, March 7 (SocialNews.XYZ) The first day of the second phase of the budget session on Friday witnessed aggressive protests by the legislators of opposition Biju Janata Dal (BJD) and Congress over disrespect to former...
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Jayson Williams is a former professional basketball player who became famous for his exceptional court skills during his 11-season career…
DUTCH electronic music pioneer Don Diablo has collaborated with an array of stars such as Dua Lipa, Justin Bieber, Ed Sheeran, Mark Ronson, Rihanna, Madonna and Miley Cyrus.
And after pioneering a future house sound, Don Diablo – real name Don Pepijn Schipper – has launched alter ego, CONTROL ALT DΞLΞTΞ as part of a new Drum & Bass side project.
The debut track Maniac re-imagines Michael Sembello’s classic tune of the same name from the 80s.
Don said: “With my new alias CONTROL ALT DΞLΞTΞ I am exploring a more bass music-focused side of myself as a producer. I have been in the studio non-stop these last few years, and this creative switch-up has given me so many new insights and ideas.
“I have been making bass music most of my life, but at the start of 2025, the timing feels perfect to launch this new project.”
Michael Sembello – Maniac
He continues: “Maniac, by Michael Sembello, has always been one of my favourite songs growing up as a kid. It’s one of those timeless 80s tracks that’s just pure adrenaline and emotion. It’s cinematic, intense, and unapologetically bold.”
We caught up with Don to find out more and we asked him to talk us through ten of his favourite Drum & Bass tracks to mark the release of Maniac and his CONTROL ALT DΞLΞTΞ project.
Have a listen below and read what he had to say on each track:
Don Diablo presents CONTROL ALT DΞLΞTΞ – Maniac:
The driving rhythm and iconic synth lines feel like they were destined to be re-imagined in a Drum & Bass tune, where high-energy beats meet raw nostalgia.
The perfect canvas to merge the past with the future.
Chase & Status – End Credits ft. Plan B:
I was completely blown away when I heard this track for the first time. Plan B’s hauntingly soulful vocals deliver introspective lyrics that resonate deeply, while Chase & Status’ production amplifies the intensity.
The track’s ability to evoke both melancholy and adrenaline makes it a timeless anthem that leaves a lasting impression.
Die & Interface ft. William Cartwright – Bright Lights (Netsky Remix):
This remix of Bright Lights by Die & Interface is a great example of uplifting emotional drum and bass at its finest.
Boris, aka Netsky, enhances this already amazing record with his signature melodic touch, pairing Cartwright’s soulful vocals with lush piano chords and epic synths.
I played this one out a lot in my sets, and it still gives me goosebumps every time I hear it.
Roni Size, Reprazent – Brown Paper Bag:
A groundbreaking track that revolutionised Drum & Bass by blending live instrumentation with intricate production. I remember seeing the music video on TV as a kid and it immediately made a deep impact on me.
The track’s timeless groove and innovative fusion of electronic and organic sounds make it an enduring classic that continues to influence artists across generations.
Camo & Krooked ft. Mira Lu Kovacs – No Way Out:
This is simply a stunning piece of artistry that blends emotive songwriting with cutting-edge Drum & Bass production.
Mira Lu Kovacs’ hauntingly beautiful vocals bring a deep, melancholic layer to the track, perfectly complementing Camo & Krooked’s atmospheric soundscapes and crisp, rolling rhythms.
M-Beat & General Levy – Incredible:
A legendary jungle anthem. General Levy’s iconic, rapid-fire vocal delivery and unforgettable “Booyaka” hook took me by surprise so much it became my main goal to release a track together with him – in which I happily succeeded a few years later.
Noisia – Shellshock feat. Foreign Beggars:
My friends from the North of the Netherlands are simply masters at their craft. One of my favourite Noisia classics is Shellshock. An absolute powerhouse of a track, showcasing their mastery of intricate sound design and relentless energy.
When I heard it first it gave me an overwhelming sense of intensity that hit me like a sonic explosion, a testament to Noisia’s ability to redefine the boundaries of heavy electronic music at the time.
One of the very first D&B records I ever heard when I was 18 years old. Function is a quintessential drum and bass track that epitomises the dark, futuristic vibe of the tech-step era.
The track’s minimalist yet masterful production set a benchmark for the genre, showcasing Ed Rush and Optical’s ability to craft timeless, cutting-edge music that still resonates with fans today.
Adele – Hometown Glory (High Contrast Remix):
You can’t have a D&B top 10 without a High Contrast track in there. I made so many memories to this record. This remix is simply a timeless classic that is still one of the best records to close off any festival with.
Don Diablo & Example – Hooligans (Spor Remix):
Hooligans with Example was the track that sort of put me on the map in the UK many years ago. When the track took off, we got some crazy remixes made by artists like Noisia and Doorly, who both killed it.
But this Spor remix really blew my socks off when I first heard it and now, almost sixteen years later, it still sounds as fresh as ever.
SHANE Lowry confessed that he endured a torrid equipment issue ahead of this week’s API at Bay Hill.
The 2019 Open winner has been battling with his driver in recent weeks after breaking his usual one in the lead up to the $20m Signature event.
And he struggled with the driver during the opening round of the Florida tournament as he ranked 40th from 72-man field.
And the Clara icon admitted he tested 15 different drivers on the range while searching for a solution to his woes.
He said: “I think there was something wrong with the driver I was using last week (Cognizant Classic).
“It’s another Srixon one. I have no idea.
“I had about 15 drivers on the range on Tuesday here, so no idea which one I ended up with.”
From images available from Bay Hill, it appears Lowry is using his club sponsor’s Srixon ZXi LS, one of the top-performing drivers on the market in 2025.
Despite this, the rest of his game was outstanding, helping him post a three-under-par 69 to sit in T2 after day one. His approach play was the best in the field, gaining, while he ranked 10th in putting.
The Offaly ace reckons he’s been short of time to himeself with a busy tour schedule, and he’s also been playing in the simulator TGL.
He added: “I’ve been tinkering a little bit with drivers,” he explained. “I think there’s something wrong with the driver I was using last week for a few days.
“I used something different on Sunday and something different again today.
“So I don’t have a hundred percent trust in that yet, but I did hit some really nice drives towards the end, apart from 18.”
“I’m pretty happy with what I have in the bag, I just need to be able to stand up on holes like 18 and trust myself to start it down the left and commit to that shot.
“As the week goes on, hopefully, I’ll do that—and yeah, you never know where it will leave me.”
“Yeah, I haven’t had much time to myself the last couple of weeks,” he admitted.
“TGLs, charity days, golf tournaments—yeah, but that’s my job, so it could be worse, I could be doing worse things.”
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WE had the one-two in last year’s EBF Final — and who says we won’t top that with the one-two-three today!
It has long been the target for all three runners we send to Sandown this afternoon.
With MEETMEBYTHESEA (1.50), IT’S HARD TO KNOW and FOLLOWCATO, I reckon we have an even better team this year.
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Meetmebythesea could not be in any better order and I am a bit surprised he is not even shorter in the betting than around 7-2.
If he is anything like the horse we hope he will be then he should be winning this.
He has always showed us plenty and is three from three. Going up in trip is only going to help him, too.
Sandown is more of a test than where we have run him so far and that is another plus.
It’s easier said than done, but we have some big plans for him so today is an important day in his career and I’m very sweet on him.
It’s Hard To Know is no back number either and I’m shocked at his price of around 16-1 too. Ben Jones can’t wait to get on him.
I didn’t think he’d win the Challow but thought he would run a big race but he went out like a light three out and ran no race.
He’s a lot, lot better than that and he had some decent horses behind him at Lingfield when he got off the mark.
Followcato is a big chaser for the future and a tad more quirky than my other two and his jumping has let him down at times.
But he’s well handicapped and his runs at Wetherby and Aintree have both worked out pretty well.
A big field like this will suit him and we’ll try and get him running on late.
I’m hoping we see a much better KILL THE GROOVE (4.55 Hereford). She shows us a bit but ran a stinker at Warwick first time up.
She should be up to something like this but she’s one I’d be watching rather than backing.
I’m hoping we head into Cheltenham with another winner or two under the belt as the team are flying and there’s a real buzz about the yard at the moment.
My old boss Nicky Henderson is always a nervous wreck the days before Cheltenham.
You would try and steer clear of him to be honest!
But me, I just go with the flow, what will be, will be.
We’ve done what we can to get the horses ready and now you have to hope for a bit of luck.
It’s one hell of a week. We’re flat out from first thing in the morning to late at night — hopefully with a winner or two to celebrate.
The horses are ready and, while we don’t have a big-name star headed to Prestbury Park this year, I think we’ll be amongst it.
Diva Luna is sparkling again, I fancy both Pic Roc and Henry’s Friend in their handicaps and the only one we still have a slight question about is No Questions Asked.
He’ll probably run in the Martin Pipe but we have left him in the Turners.
Good luck everyone — I’ll see you in the Guinness Village.
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